Performers showcased a fuller Fosse flavor in "Sing, Sing, Sing," which closed the concert.
A small, sultry cast slunk onstage to some spectacular renditions of Bob Fosse’s work in “Take Off with Us,” a benefit directed and choreographed by Cirque’s Giulio Scatola and presented by RagTag Entertainment. The Ovation theater at Green Valley Ranch played host and, while the production elements were understated by Las Vegas standards, the show didn’t need them. The performers delivered tasteful and tantalizing sensuality, coupled in most cases with grand stage presence. All of this made the $15 ticket price a stellar value.
Leads Traci Kesisian and Savannah Smith were knockouts; their full, emotional voices bore the show along effortlessly. Scatola’s choreography also did them justice, as they both neatly sidestepped the old paradigm of singers who don’t dance. Kesisian and Smith held their own with the ensemble of dancers backing them, propelled by compelling command of the stage.
The rundown of “Take Off with Us” was short, sweet and sassy. Dancers Claudia Cervenka, Erin Marie Sullivan, Kady Kay, Rochelle Wolfe, Caitlin Cray Shea and Tenile Pritchard demonstrated great versatility, switching between the lovely, lilting “Take Off with Us” opener and the coy, snappy “Bye Bye Blackbird.” “Blackbird” especially was svelte and feminine and played well to the audience.
“Big Spender,” another predictably dance-y number, featured the entire cast and resisted any precious ambiance, opting for gritty authenticity instead. Beautiful girls cat-calling to guys across a bar is a familiar scene in Las Vegas, but the girls’ playfulness garnished the number with laughs.
They gotcha! Traci Kesisian, flanked by Claudia Cervenka (left) and Erin Marie Sullivan, made it clear that these performers aren't playin'.
Smith’s and Kesisian’s vocal solos well placed in the program. Smith began the show with “Take Off with Us” and, later, “All that Jazz,” seamlessly switching keys and showing off her delightful belt. Kesisian’s voice hearkened back to the edginess of Gwen Verdon, a point she underscored beautifully in the up-tempo “I Gotcha” and “Mein Herr.”
The due shone in “Class,” “Nowadays” and “Life is a Bowl of Cherries.” Their professionalism was clear, and their enjoyment bled into the audience throughout the show. Arles Estes bears mentioning as well, as his arrangements of “Take Off with Us” and “Cherries” were just the right degree of smooth and snazzy. Kesisian and Smith’s dance break in “Nowadays” was also excellent, rife with jazz hands and Charlestons.
Individuals in the ensemble, equally hard to forget, made their voices heard in “Cell Block Tango,” perhaps the most personality-filled number in the show. Each performer delivered a snide monologue about doing away with lying, cheating men, and the audience was roaring by the end of the act.
“Sing, Sing, Sing,” the traditional Fosse closer if there ever was one, wrapped up the concert. The performers were decked in fringe and glitter and their swishing costumes added an audible element to the Fosse-filled finale. Jazz hands, pigeon toes and distinctive, attenuated lines gave a final tip of the fedora to the show’s inspiration.
One final performance of “Take Off with Us” is scheduled for 8 p.m. at Green Valley Ranch. (Doors open at 7 p.m.) Tickets are $15 and can be purchased at the door, but arrive early, as the house fills fast. Proceeds benefit Golden Rainbow, an organization assisting those living with HIV and AIDS.