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Two summer traditions will be gracing stages in Las Vegas in June: the Nevada Ballet Theatre-Cirque du Soleil collaborative concert “A Choreographers’ Showcase,” and “Ribbon of Life,” presented by Golden Rainbow and benefiting those living with HIV/AIDS.

“A Choreographers’ Showcase,” now in its fifth year, gives the artistic minds in NBT and Cirque a chance to choreograph on themselves and each other. The concert tends to be a lively mix of fresh ideas and excellent dancing. Catch the show at 1 p.m. on June  9 and 10 at the Viva Elvis theater at CityCenter. Tickets are $20 and $40 and can be purchased by calling 702-590-7760 or by clicking here.

“Ribbon of Life” is another long-standing tradition; this is the 26th anniversary of the show. Choreographers come from all over the city, lending the show a diverse and vibrant feel that has the added perk of raising thousands of dollars for Golden Rainbow, a nonprofit organization. “Ribbon of Life” will be performed at 1 p.m. on June 24 at the Smith Center for the Performing Arts. Tickets can be purchased by calling the Smith Center box office at 702-749-2000.

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Dancers line the stage for the "tip parade" at the end of the show. Tips are donated to BC/EFA.

Entertainers from up and down the Strip performed in the Las Vegas sequel of the hit benefit concert “Broadway Bares” on April 24 at Planet Hollywood and shed their clothes for the cause. The show generated more than $20,000 and every dime went to Broadway Cares/Equity Fights AIDS, an organization that supports those living with the virus.

The show was also a smokin’ testament to the depth of talent that lies in this city. The Vegas version of the New York concept was a strong contribution to the “Broadway Bares” original and proved that the arts scene here is nothing to sneeze at. Jerry Mitchell, creator of both “Broadway Bares” and “Peepshow,” took the stage at the end of the show and heartily agreed, conveying his excitement about the growth the show has seen since its humble beginnings.

Slick, sexy vocals and understated confidence provided an auspicious start for “2 Hot” with a number of the same name featuring artists from “Peepshow,” “Jersey Boys” and others. The tension was palpable and made for an exciting beginning to a highly dynamic show.

The diversity was also impressive. There was an excellent female cover of “Sex on Fire” by Kings of Leon with strong lyrical choreography to match. There was a guy in a banana suit (word up to 1230 Clownshow and their usual eyebrow-raising circumstances for that one). There was a classic number by Nicholas Foote to “Too Darn Hot” that had a sassy, finely honed Broadway edge to it. “Simply Barerisistible,” by Sheila Joy Burford, had girls bent, curled and spinning on barstools with commendable ease.

Edie of "Zumanity" makes her entrance in style and emceed the show alongside "Peepshow"'s Holly Madison and Josh Strickland.

And there was a drag queen descending from the sky to the Miss America theme song. Edie, a “Zumanity” performer who was the emcee for the evening, was a perfect palate-cleanser for the smattering of genres that made an appearance. Co-hosts Holly Madison and Josh Strickland of “Peepshow” made appearances as well and the three were as enjoyable as the acts they introduced.

Novelty was in no short supply; “Le Jazz Hot,” with choreography by Rommel Pacson, was headlined by a glammed-up Christopher Peterson of “Eyecons” and guys from “Naked Boys Singing” at the Onyx Theatre. It’s hard to go wrong with a New-Orleans-jazz vibe and bare-chested men in suspenders.

“13 Going on 30” was a tongue-in-cheek parody of something akin to “Annie” and presented a cringe-worthy contrast of little-girl choreography (by Lena Groux and Jamee Hossack) and unarguably adult subject matter. “Mr. and Mrs. Smith” from Dustree Productions featured a full-size bed with suggestive scenarios and spicy partnering to match.

The Viper Vixens demonstrate their power in "Looks that Kill."

Weapons made a couple of debuts as well (and I commend both choreographers for not choosing Rihanna’s “S&M” track–too easy.) The Viper Vixens performed “Looks that Kill,” with choreography by Ottavio Gesmundo, holding objects that looked ominously like ice picks. The forthright sexuality in the number would have been dangerous enough: the Vixens weren’t playin’, and they made that clear.

J.J. Villar’s “Weird Science” was, well, weird, but intriguingly so. The bizarre situations, involving the likes of bodies outlined in neon lights, duct-taped girls a la Lady Gaga and buckets and water guns created a raucous, jarring, postmodern experience. And the water guns were pretty cool.

Straight-up sexiness was well represented. “Where Have All the Nice Men Gone,” by Jonnis, erred in a captivatingly contemporary direction and the edgy “Nice N’ Slow” by Saleemah Knight featured stellar vocals by “Lion King”‘s Jelani Remy. “Hit Me with a Hot Note” by Tara Palsha and Ryan Kelsey and featuring performers from “Vegas! The Show,” was at once charming and sensual with corsets thrown in for fun.

“Bringing the Heat” shook up the Disney image and showcased the fiery choreography of Erin Barnett. The introduction of the number, performed by the cast of “Lion King Las Vegas,” brought an anticipatory roar from the audience. The sinewy movement was executed impeccably and the brevity of the number left the audience yearning for more.

This could be said for the show itself. As Edie put it, “I hate that I have to wait 364 days to be here, but I’m here!” “Broadway Bares” is rapidly becoming a Vegas tradition, and fortunately so: There are few shows that would fit in with Strip life as well as this one.

Jerry Mitchell congratulates the cast after speaking of the unassuming beginnings of "Broadway Bares."

“Broadway Bares” began in New York in 1992 and has raised $75 million since then. BC/EFA has raised $195 million to provide services for those living with HIV/AIDS.

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“Broadway Bares XXI: Masterpiece,” the one-night event sponsored annually by Broadway Cares/Equity Fights AIDS, will be performed at midnight on April 24 at the CHI showroom at Planet Hollywood. All proceeds will go to EC/BFA, an organization that has raised more than $195 million in order to provide essential services for those living with HIV/AIDS and other critical illnesses.

The show, developed by Jerry Mitchell in New York in 1992, graced the Las Vegas dance scene for the first time last year at the same venue. The striptease revue was originally conceptualized to give audiences a racier peak of Broadway stars away from their usual stages on the Great White Way. Despite small beginnings (the first show featured solo acts from each performer, a far cry from the production quality seen now), the endeavor quickly gained momentum.

In Vegas, we’re used to bare bodies and glitzy shows. The caliber of performers and choreographers that turned out for last year’s show represented an auspicious start, though, and the lineup for 2011 holds just as much potential. If Easter festivities don’t have you sitting in a church at midnight, hit up Planet Hollywood for what will likely be a steamy show on the Strip. Tickets are general admission and will be available at the door for $20-$50. Follow the link here for coverage of last year’s show.