Tag Archive: 1230 clownshow


Autumn can be a difficult thing to spot in Las Vegas. It tends to be stealthy, tiptoeing in with crisp breezes and a midday temperature that doesn’t make human skin boil. It’s a slow-mover, with those lovely fall colors not gracing the limbs of trees here until most places are getting their winter vibes on.

Academic schedules remain unaffected by our late-arriving season. Kindergardeners, graduate students and all learners in between donned backpacks this past week and headed back to school, stoically sweltering in the name of scholastic success.

Like a school holiday or Christmas break, there is a light at the end of the tunnel. Vegas dance groups large and small are pulling together for some fall performances that might just be the happy hour that your long week needs. A few of them are listed below. If you know of something that isn’t mentioned here, shoot me an email or leave a comment below. Cheers!

“The Spade of Hearts Presents: The Variety Show”: Saturday, Sept. 3, 9:30 – 11:30 p.m. at Boomers Bar. Burlesque and comedy will be well-represented, with performances by Dave Johnson, Roxy Rock-It, JP Nomi Malone and more! Arrive early for free jello shots (9 – 10 p.m. or while supplies last) and enjoy drink specials throughout the night. Tickets are $15 for one or $20 for two at the door.

“Grindhouse Burlesque Presents: The Daily Grind!”: Sunday, Sept. 4, 9 p.m. – midnight at The Bikini Bar. Caramel D’lite will be emceeing the show, which will feature numbers by Roxy Rock-It, Rosalita Nikita, Porcelain Vanity and Lacey Moon. There’s no cover for the performance, but you have to be 21 or older (sorry, youngins). Check out the Grindhouse Burlesque website here for more.

“Waiting for Godot”: Thursday, Sept. 8 – Oct. 1, 8 p.m., at The Insurgo Theater at the Plaza Hotel and Casino. This round of performances kicks off the first casino-based resident space for a theater troupe in Las Vegas, so you can enjoy that fact alongside the spectacular work of Insurgo Theater and Samuel Beckett. Tickets are $25 and can be purchased at the box office until 15 minutes before the show. Call (702) 883-5500 to reserve them over the phone.

“Nuthouse by Michael O’Neal”: Fridays, Sept. 9 and 23, and Saturdays, Sept. 10 – 24, midnight, the Onyx Theatre. Lose your mind alongside the cast with this nutty, thoroughly inappropriate show that will take you on a tour of the mind of your average psychopath. Tickets are $10 and cocktails are available free of charge, although donations are accepted. The house opens at 11:30 p.m.

“1230 Clown Show: Rat Pack”: Thursday and Friday, Sept. 15 and 16, at, that’s right, half-past midnight. This jam-packed variety show is worth turning out for; there will likely be members of the audience who go to both performances, so don’t be shy about coming back. Find a previous review of the show here and be sure to get there early: seats fill fast. Tickets are $15 and doors open at 11:45 p.m.

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Dancers line the stage for the "tip parade" at the end of the show. Tips are donated to BC/EFA.

Entertainers from up and down the Strip performed in the Las Vegas sequel of the hit benefit concert “Broadway Bares” on April 24 at Planet Hollywood and shed their clothes for the cause. The show generated more than $20,000 and every dime went to Broadway Cares/Equity Fights AIDS, an organization that supports those living with the virus.

The show was also a smokin’ testament to the depth of talent that lies in this city. The Vegas version of the New York concept was a strong contribution to the “Broadway Bares” original and proved that the arts scene here is nothing to sneeze at. Jerry Mitchell, creator of both “Broadway Bares” and “Peepshow,” took the stage at the end of the show and heartily agreed, conveying his excitement about the growth the show has seen since its humble beginnings.

Slick, sexy vocals and understated confidence provided an auspicious start for “2 Hot” with a number of the same name featuring artists from “Peepshow,” “Jersey Boys” and others. The tension was palpable and made for an exciting beginning to a highly dynamic show.

The diversity was also impressive. There was an excellent female cover of “Sex on Fire” by Kings of Leon with strong lyrical choreography to match. There was a guy in a banana suit (word up to 1230 Clownshow and their usual eyebrow-raising circumstances for that one). There was a classic number by Nicholas Foote to “Too Darn Hot” that had a sassy, finely honed Broadway edge to it. “Simply Barerisistible,” by Sheila Joy Burford, had girls bent, curled and spinning on barstools with commendable ease.

Edie of "Zumanity" makes her entrance in style and emceed the show alongside "Peepshow"'s Holly Madison and Josh Strickland.

And there was a drag queen descending from the sky to the Miss America theme song. Edie, a “Zumanity” performer who was the emcee for the evening, was a perfect palate-cleanser for the smattering of genres that made an appearance. Co-hosts Holly Madison and Josh Strickland of “Peepshow” made appearances as well and the three were as enjoyable as the acts they introduced.

Novelty was in no short supply; “Le Jazz Hot,” with choreography by Rommel Pacson, was headlined by a glammed-up Christopher Peterson of “Eyecons” and guys from “Naked Boys Singing” at the Onyx Theatre. It’s hard to go wrong with a New-Orleans-jazz vibe and bare-chested men in suspenders.

“13 Going on 30” was a tongue-in-cheek parody of something akin to “Annie” and presented a cringe-worthy contrast of little-girl choreography (by Lena Groux and Jamee Hossack) and unarguably adult subject matter. “Mr. and Mrs. Smith” from Dustree Productions featured a full-size bed with suggestive scenarios and spicy partnering to match.

The Viper Vixens demonstrate their power in "Looks that Kill."

Weapons made a couple of debuts as well (and I commend both choreographers for not choosing Rihanna’s “S&M” track–too easy.) The Viper Vixens performed “Looks that Kill,” with choreography by Ottavio Gesmundo, holding objects that looked ominously like ice picks. The forthright sexuality in the number would have been dangerous enough: the Vixens weren’t playin’, and they made that clear.

J.J. Villar’s “Weird Science” was, well, weird, but intriguingly so. The bizarre situations, involving the likes of bodies outlined in neon lights, duct-taped girls a la Lady Gaga and buckets and water guns created a raucous, jarring, postmodern experience. And the water guns were pretty cool.

Straight-up sexiness was well represented. “Where Have All the Nice Men Gone,” by Jonnis, erred in a captivatingly contemporary direction and the edgy “Nice N’ Slow” by Saleemah Knight featured stellar vocals by “Lion King”‘s Jelani Remy. “Hit Me with a Hot Note” by Tara Palsha and Ryan Kelsey and featuring performers from “Vegas! The Show,” was at once charming and sensual with corsets thrown in for fun.

“Bringing the Heat” shook up the Disney image and showcased the fiery choreography of Erin Barnett. The introduction of the number, performed by the cast of “Lion King Las Vegas,” brought an anticipatory roar from the audience. The sinewy movement was executed impeccably and the brevity of the number left the audience yearning for more.

This could be said for the show itself. As Edie put it, “I hate that I have to wait 364 days to be here, but I’m here!” “Broadway Bares” is rapidly becoming a Vegas tradition, and fortunately so: There are few shows that would fit in with Strip life as well as this one.

Jerry Mitchell congratulates the cast after speaking of the unassuming beginnings of "Broadway Bares."

“Broadway Bares” began in New York in 1992 and has raised $75 million since then. BC/EFA has raised $195 million to provide services for those living with HIV/AIDS.

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