Category: Master classes and workshops


Master teachers Allan McCormick and Adele Binelli will each be giving master classes at the Rock Center for Dance on May 11 and 13, respectively. Allan’s classes are slated for 2-3:30 and 6:30-8 p.m. on Friday, May 11, and Adele will be teaching on Sunday, May 13, from 2-4 p.m.

Both artists are known for their contemporary flair and invigorating classes (and impressive resumes, if you’re into that), so grab your game face and come on out.

If you’re interested in seeing more work, check out Adele’s YouTube channel here and some of Allan’s choreography here. For more information about adult classes at the Rock, click here.

Update, May 12: click on the link below for a teaser for Adele’s  Sunday class! Find it here:

http://youtu.be/uybEyBSlgEc

Rounis sports her "Feed Your Creativity" t-shirt, which was included for anyone who donated $20 or more.

Melena Rounis, a Cirque dancer in “The Beatles LOVE,” put on the third annual Step Up and Dance fundraiser on Nov.19, which raised more than $700 in a few short hours to help feed hungry families in Nevada.

Rounis’ recipe for this event has proven true over the years. For participants, it’s simple. Pay a $10 minimum donation and take your fill of half-hour-long master classes in a variety of styles. This year, teachers included Rounis herself, fellow Cirque dancers Katy Tate, Sheila Joy and Fred Odgaard, Tyrell Rolle of “The Lion King” and master locker Scoo B Doo. Around 50 people showed up to dance and donate.

Participants could pick and choose from the smorgasbord of styles, which spanned the genres from old-school hip-hop and locking to burlesque, jazz and funk. Dancers of all ages and with varying experience levels got down for a good cause and Rounis said she was thrilled with the turnout this year.

“I think this year was great because it had a perfect dynamic and a great number of people,” Rounis said. “There was space for everyone to dance, so I think every year has been a success. I’m not humble at all,” she continued, laughing.

Katy Tate, dance captain at “LOVE,” taught what she called a “Lil Wayne” contemporary combination and concurred with Rounis about the importance of outreach. “How great is it to be able to do what you love and support those in need?,” she asked.

Tate said that thinking of others is important for more than just charity. “If you’re thinking about yourself the whole time, you only have a fraction of a class,” Tate said, encouraging dancers to watch and learn from each other in dance classes.

Katy Tate combined classical movement with contemporary style in her combination to Lil Wayne's "How to Love."

Tyrell Rolle of “The Lion King” voiced a similar message during his funk class. “You shouldn’t be a one-sided dancer,” he said emphatically. “Whatever it is, commit to it.”

And Rounis, despite dancing 10 shows a week for Cirque, is committed to Step Up and Dance. Another workshop is taking place on Dec. 18 at Drive Dance Center in Vancouver, a dance studio Rounis co-founded. “I think it’s going to be huge,” Rounis said. “I’m already out of posters and fliers and they’ve only been promoting for a week! But that’s a good thing.”

Despite challenges of working around professionals’ schedules and organizing events remotely, Rounis said she has high hopes for the fundraiser in the future. “Honestly, since I’ve started this event, it just keeps getting better each year,” she said.

Although it might seem like a long time before the next Step Up and Dance event, check out the photos below in the meantime.

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Penny Saunders and Pablo Piantino of Hubbard Street Dance Chicago perform Jiri Kylian's "Petite Mort." Photo by Todd Rosenberg

It’s Nevada Ballet Theatre’s 40th season this year and the company is joining hands with Hubbard Street Dance Chicago to kick it of properly. “Dance Dance Dance!” opens at Paris Las Vegas on Oct. 29 and 30 and will include George Balanchine’s Concerto Barocco, Jirí Kylián’s”Petite Mort,” Sharon Eyal’s and Gaï Behar’s “Too Beaucoup” and James Canfield’s “Up” and “Cinq Gnossiennes.”

For single tickets to “Dance Dance Dance!,” give the Paris Theatre Box Office a ring at 702-946-4567 or click here. Catch the show on Oct. 29 at 8 p.m. or Oct. 30 at 2 p.m. An opening night special offer is available; $40 buys a ticket to the Oct. 29 show and a front-of-the-line, no-cover pass to Chateau Nightclub and Gardens. Click here for the moolah-saving details.

But (and I’m risking sounding like a used car salesman here, but bear with me) that’s not all! Hubbard Street artistic director Glenn Edgerton will teach a professional-level master class from 1:30 to 3 p.m. on Oct. 27 at NBT’s Summerlin studios. $75 nets the master class and a ticket to “Dance Dance Dance!” on Oct. 29 at 8 p.m. or Oct. 30 at 2 p.m. Walk-up registration is available the day of the class for $50, but space is limited. To save a spot, call 702-243-2623 to register.

The United Football League is doing more than bringing a sports team to the a city with a legendary lack of one: a cheer squad is also part of the deal. And if you wish your cheerleading was hot like theirs, take a look at the pre-audition workshop that the Locos have planned.

The workshop will be held from 1 – 4 p.m. on Feb. 26 and March 19, with registration beginning at noon. Both sessions will take place at Fern Adair Conservatory for the Arts. Topics covered will include those necessary for booking any professional dance job, with guest speakers going over things like resumes, headshots, appropriate appearances and training and casting. The choreography from the workshop will also be similar to what will be given at the preliminary auditions for the team. Attendees are advised to come in comfortable clothing and to be ready to dance.

The cost for the workshop is $15 per session or $20 for two sessions. Only cash will be accepted on the day of each workshop, but options for pre-registration are available. E-mail director Kim Diaz at LocosCheer@gmail.com for more information.

Naturally, this pre-audition work is designed to help prepare applicants for the real-deal auditions and information about those is as follows. The preliminary auditions for the Locos cheer team will be from 1 – 5 p.m. on March 26 at Fern Adair Conservatory for the Arts. Registration will begin at noon. The final round of auditions is tentatively set for April 9.

For more information about the workshop, the auditions and the team, head over to the UFL website. For extra pep in your news feed, find the Las Vegas Locos Cheerleaders on Facebook.

Wednesday is fast becoming a day of remembrance for slain dancer Debora Flores-Narvaez, who was reported missing last month and whose body has recently been found. Entertainers across the city are banding together to raise money for family members of the dancer, who said they are planning to send her remains back to Puerto Rico, her homeland. In addition to “A Celebration of Life,” the benefit concert at Crown Nightclub, renowned choreographers Eddie Garcia and J.J. Villar are holding a workshop at the Rock Center for Dance.

The “Live to Dance Another Day” workshop is scheduled from 10 a.m. to 3 p.m. and admission is a $10 minimum donation. Proceeds will go to support Flores-Narvaez and The Shade Tree, a shelter in Las Vegas. For more information on both the concert at the Rio and the workshop at the Rock, head over to DebbieBenefit.com.

Starbucks has its holiday cups. For some dancers, rehearsals for holiday shows have started — tunes about mistletoe and snow (what is that again?) can be heard in studios all over the city.

Another holiday tradition took place on Nov. 27 at the Rock Center for Dance: Melena Rounis, with help from Katy Tate, organized the second Step Up and Dance event, a fundraiser that takes donations for Three Square food bank in Las Vegas. In the space of four hours, 88 dancers signed up and $1,440 was donated, which is the equivalent of more than 4,000 meals. All of the proceeds from the event will be donated to Three Square.

The workshop brought together eight different performers, many with credits from shows on the Strip and elsewhere, to teach a post-Thanksgiving dance-fest that raised money for families in need. The four-hour block of time was divided into eight half-hour-long sessions. Agnes Roux, Katy Tate, Saleemah Knight, Fred Odgaard, Brent Borbon, Leah Moyer, Sheila Joy and Rounis herself each taught a class in styles including zumba, hip hop, jazz, ballroom, burlesque, contemporary, lyrical and jazz funk.

Participants donated $10 at the door and were welcome to take as much or as little class as they wanted and all ages were welcome.

“It’s so much positivity in one day that it’s crazy,” Rounis said.

Rounis commented on the benefits that the workshop has for those who participate. “You’re getting so much back,” she said, “and not just the feel-good aspect but the health aspect, too.”

The workshop also gave students an opportunity to stand alongside accomplished dancers. “[The students are] in class with professional dancers that are in shows on the Strip that they might have seen,” Rounis said. “It’s really inspiring for them.”

Rounis said that the idea sprang from a similar event she held at Drive Dance Centre, a studio she and Geneen Georgiev opened in Vancouver in 2007. “Once the recession happened,” Rounis said, “I thought, ‘What can I do to help those that have really been affected by this?”

This was the second Step Up ad Dance event and Rounis said that the diversity of the faculty has been expanded. Last year’s teachers all hailed from “The Beatles LOVE,” the show in which Rounis is currently cast. “We hoped to attract a more eclectic crowd [this year],” Rounis said, referring both to the faculty and the participants.

Jasmine Villamor, who participated in Step Up and Dance, said the diversity of the faculty was a big draw. “It was a full day of every kind of dance possible and it was perfect timing after Thanksgiving,” she said with a laugh. “It showed what Vegas dance has to offer.” Villamor also commented on what it was like to take class from, and next to, such experienced performers. “It was inspriational,” she said. “It puts you in the mindset that [that level of achievement] is possible.”

For many of the guest teachers, professionalism and training for future careers took center stage.

“You need to be able to pick up choreography and attach an emotion to it right away,” said Saleemah Knight, pictured left, who taught jazz funk and currently dances with Disney’s “The Lion King” at Mandalay Bay. “When you tell the story, it makes sense,” Knight said. “If you’re just doing the steps, you’re going to look stupid.”

Leah Moyer, who taught a contemporary class and is a member of Cirque’s “Viva ELVIS” cast, shared a similar message. “Just be you,” she said, emphasizing that this was the driving force behind her choreography. “Be there, be present,” she said. “Just don’t do steps and don’t fake it.”

Emotional cortexes weren’t the only part of the dancers that received a workout. Fred Odgaard,  powerfully built and energetic, led dancers in a warm-up that he said he and other fellow dancers call “cardio Barbie” (see photo, right). The exercise was a series of jumping jacks and the like designed to elevate the heartrate and get dancers’ blood pumping.

Roux’s spicy zumba kicked off the workshop, providing a Latin-themed warm-up for the rest of the day. Tate’s unique lyrical followed, complete with pleasantly literal choreography and percussive syncopations.

Borbon and Joy held down the high-heeled contingent with ballroom and burlesque, respectively. Borbon’s light-footed and light-hearted banter displayed partnering at its best and Joy dimmed the lights to illustrate a sexier side of Vegas dance.

The day culminated in Rounis’ hip hop/party dance choreography, complete with RoboCop moves and James Brown slides.

The crowd of dancers, many of whom had stayed through the entire workshop, gradually dispersed. Rounis, her small frame eclipsed by an oversized bag stuffed with dance gear, dashed off to The Mirage and the two “LOVE” shows that awaited.

Interested in seeing footage of some of the choreography? Check out my post here for a link.

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